My abuser's name is Ryan Kent (Richmond, VA).

The first time Ryan yelled at me, we had been together for two weeks. He had just told me that instead of hanging out with me that night like we’d planned, he was going to “go get drunk” because a friend had upset him in some way. I responded with something like, “Wait, really?” or maybe, “Are you serious?” and the onslaught began. He screamed at me over the phone for maybe somewhere between 30 minutes to an hour while I hid in the stockroom at work and tried to calm him down. He said I was a selfish brat. He said I was controlling. He said other things, all at the top of his lungs. Afterward I attempted our first breakup, and Ryan responded that I didn’t deserve to have a boyfriend anyway if this was how I treated him. Then came the intense love-bombing that would become the cord connecting me for the next two years, the breakup soon forgotten. The first time Ryan told me he loved me, we had known each other for one week, and I was so intoxicated by the intense affection that had already dominated our first seven days, I said it back.

That pattern repeated a lot over the course of our relationship: Ryan doing hurtful things, me expressing my hurt, and then Ryan punishing me for voicing my hurt with verbal and emotional abuse. I am not going to recount every fight or list each instance of abuse. I will not describe to you the worst of them. Not only would it be impossible to list something that so permeated my life, but it causes me a great deal of anxiety to relive those moments. It’s also not the point of this post. But I am choosing to share some things—choosing to share them, because for a long time I felt afraid to publicly say anything about how Ryan treated me, still afraid of the wrath I was used to incurring any time I said or did anything Ryan did not like, even years after we split. He trained me with his rage to keep my mouth shut.

Ryan and I dated off and on for about two years between 2015 and 2017. We briefly broke up several times in between, and Ryan often used breakups and silence as tools of manipulation as well. There were multiple periods that lasted weeks during which we were not broken up, we were not together, and Ryan was in full control of how and when we communicated. If I broke those rules and contacted him, he verbally abused me. If I became tired of his games and stopped reaching out, he would initiate contact and say he wanted to be with me. I fell in love with Ryan and truly cared for him—the pattern of intense connection alternating with abuse was confusing and left me desperate for his affection. Every time he said he wanted to work it out, I thought maybe something would be different, and I wanted it so badly, I accepted behavior from him that I know most people would quickly run from.

 When I met Ryan, he was in the process of getting divorced and explained to me he was coming off of a very bad year. There were a number of painful things that had happened to him in that year, and I believed his anger and heavy drinking were a result of that, and maybe one day when he got better, he would be nicer to me. Early in our relationship, mutual acquaintances who found out we were dating kept telling me what a great guy he was. So many times I heard the word sweet. Behind closed doors, Ryan would scream at me, call me a bitch, a moron, retarded, a child, a spoiled brat, crazy, an idiot. I didn’t understand. I felt like I was missing something. Sometimes I felt like it was my fault, that I was somehow making him this person.

He said a lot of terrible things to me. He weaponized my close relationship with my father against me often, saying things like, “What would your father say if he knew you treated me like this?” He frequently accused me of not loving him, of being the manipulative one, even as my love for him was so desperate and unrequited that it was pathetic, even as he told me—on more than one occasion—how pathetic I was. His most favorite insult was to call me a child and a spoiled brat, which should have been hilarious to me. I grew up with far less than Ryan did, in a much less stable household, and at times during our relationship worked two jobs, seven days a week. I lived alone, paid all my bills myself, and paid for most things that Ryan and I did. I paid for everything because Ryan barely kept employment. He said having a real job would compromise his dream of being a musician or a writer. It was not hilarious, because I knew Ryan said these things because he thought they would hurt me the most. The low blows involving my dad and the spoiled child insults didn’t even make sense—my father loathed Ryan and I didn’t even have full days off from work. He said them because he sensed he was hitting on things that were important to me, and his goal wasn’t to say something true—it was to inflict pain.

When I try to explain to close friends what the abuse was like, it feels like the obvious thing is to talk about the screaming and all the terrible things he said. But I don’t think that really gets across to someone who wasn’t there what it was truly like. The thing that most captures what it was truly like is this: When Ryan and I would be sitting on my couch watching TV, and I got up to cross the room and go to the bathroom, I would check my face. Because if he detected any hint of an attitude, it could trigger a tirade that could last for hours, or days, or weeks.

He eventually accused me of being cold, robotic. He said I talked like we were in a business meeting. I was like that because I was terrified to move in a way that might trigger him. I was terrified of accidentally making the wrong facial expression. I was terrified to speak freely and give him any reason to be angry at me, and so I said everything with extreme caution. During fights, if you want to call them that, I probably did sometimes sound like I was in a business meeting. I wasn’t allowed to use sarcasm or be flippant or sound harsh or sound angry or sound sad. He never said I wasn’t allowed; he didn’t have to. His reaction told me everything I needed to know. I was cold because I was frozen.

On occasion I would try to stand up for myself and I would say something forcefully, and what I got in response, I can’t type. I will say it was always verbal, mental, and emotional in nature, but it is too painful to recount. So some of you who know him may have been told stories of instances where maybe I said something “mean” to him or however he spins it—I assure you, I was punished heavily for it.

It was like this every day, every week, always. We would have good days but I never relaxed. I never stopped checking my face. Sometimes he would try to be a better boyfriend and sometimes we had cute dates (that I paid for) and sometimes we supported each other’s dreams. But most of the time, it was confusing and scary and very, very painful. Ryan kept me away from his friends, who I gather largely dislike me, but he got to control the narrative. Like most narcissistic abusers (and I believe this applies to Ryan), he is charismatic and friendly and charming with nearly everyone else in his life. I have heard people describe him as warm. Sometimes I look at him and it seems so obvious how phony much of that charm is, but most of the time I can see why people believe him. I did too, for a long time, even as he was telling me how worthless I was.

There were other factors in Ryan’s life at the time, like his drinking which he has been very public about, that contributed to how awful that time was as well.

The end of our relationship took several months before it was fully over, but it was set into motion by our couples’ counselor when she told us during our second session that Ryan was abusing me, she could not continue to counsel us, and I needed to leave the relationship immediately. I had told her nothing about the abuse—Ryan did. He was so confident that I deserved his treatment of me that he told her the truth during our session, recounting for her an incident that had happened that week. She listened while he spoke, occasionally glancing at me with a look on her face like she couldn’t believe what she was hearing. Ryan contends, to this day I’m sure, that she was a man-hater and had it out for him. However, we chose her together, and they had formed a friendlier relationship during our first session than she and I had. She was a neutral third party and she leaned forward in her chair and told me to run, in front of him.

It took several months before I fully severed the relationship. When I finally did, Ryan continued to attempt to contact me for several months beyond that. He showed up to events he thought I would be at, and began contacting friends and family of mine asking them to intercede on his behalf. Ryan barely knew most of the people he reached out to. Several of my friends encouraged me to file a police report (which I did not) and were afraid the behavior would escalate to more serious forms of stalking or more direct contact with me. I was not sure what to expect but knew things in abusive relationships tend to escalate when the victim leaves. I called my father, who called Ryan, and after that all attempts to contact me or my family stopped.

During this time, I was very active in the spoken word community in and around Richmond. I helped run Slam Richmond for about a year and went to various poetry open mics three or four times a month. Ryan talked a lot of shit about the spoken word community while we were together and said he preferred being “a lone wolf.” He was not active in the larger poetry community and mostly did readings when he published a book and held his own signing. The open mics I frequented were among the events Ryan started showing up at during his campaign to get me back, particularly the ones put on by River City Poets. I had several conversations with Joanna Lee, the founder and organizer, both in writing and in person, informing her that Ryan had been abusive to me and was engaging in stalking behavior, and I did not feel safe. I sat across from her in tears and told her if Ryan became a part of this community, I would quit spoken word, because I could not be near him.

Joanna told me she didn’t feel comfortable specifically asking someone to not come to her events, but that she would not book him to feature or invite him to participate in events. In one message, she said, “We have your back.” Joanna has booked Ryan numerous times to feature at her events since that conversation, including on a recent Sunday night, which is sort what led to this post to begin with. I made a Facebook post bitching about Joanna’s continued support of a man that she knows abused another member of her community, and people from that community started reaching out to me, and I decided to finally say my piece.

Why now? It’s a valid question I’m asking myself. It’s been nearly seven years since we broke up. I know Ryan is sober now and appears to have improved himself to some degree, and I don’t personally care what that is. I know he hasn’t changed because the shit he still talks drifts back to me, and I’ve heard how he demonizes me. I know what really happened, and if he’d truly changed inside, he wouldn’t still say those things. I think there are people out there who want to know that this happened. In fact, I know there are, based on how many people messaged me after my Facebook post and asked for his name for their own safety and the safety of their communities. Ryan is allowed to have friends and girlfriends and whatever else he wants, and hopefully he’s nice to them. But I’m allowed to tell my story, and this is the first time in seven years that I didn’t feel terrified to tell it. After I made the Facebook post, I felt encouraged by the support, and I now feel ready to say all of this. I am so accustomed to thinking, if I say what Ryan did, even if it’s just to him, it’s going to be so, so bad after. My chest seizes up and all I can think is, He’s going to tear me to shreds. I was in therapy for two years after Ryan and I broke up. I was diagnosed with PTSD and was in a very acute stage of trauma for at least the first year. I have recovered enough that I’ve seen Ryan from afar a couple times and felt okay, but the thought of saying what he did takes me right back into the thick of it. It was so often just voicing to Ryan that he’d done something to hurt me that set him off the worst.

 I have mostly stopped doing spoken word. Joanna’s support of Ryan was a large factor in that. Over the years I had moved away from slam and into more “page poetry,” and Joanna’s events were often closest to what I was looking for. Knowing that she supported Ryan made those events feel less safe to me, and I made less of an effort to attend until eventually it was rare. There are other reasons I do less spoken word these days, and other media I have shifted my attention to, but this was a major contributing factor.

It’s not up to me who engages with Ryan and who doesn’t. I’ve never asked anyone not to except for family. But if you do, I likely won’t be around you for my own self-preservation. There are a couple old friends of mine who maintain a friendly relationship with Ryan, however distant, and I don’t really talk to those friends anymore. I have never told them it has anything to do with Ryan or asked them to change anything—everyone is entitled to whatever connections they value, but I can’t be near it.

I called out Joanna because she said she would not book him and then continued to—she can feature whoever she wants, but don’t lie to my face. It especially stings when it’s another woman.

Please remember that abusers typically are not abusive to most people in their lives. The abuse is generally hidden and directed at select people, or sometimes just one person. Many abusers are very social, charming people in the rest of their lives. I’m sure Ryan has been an absolute doll to the vast majority of people who will make to the end of this post, but this is what he did to me.

**Edit, 8/31/2024: I wanted to add a clarification regarding the paragraph where I describe “checking my face.” Because the example I provided referencing crossing the room to go to the bathroom, I think many people will think I mean I checked my face in the bathroom mirror. This is not what I meant. I would mentally check my face as I was crossing the room in front of Ryan, regardless of where I was going, to make sure it didn’t look like I “had an attitude,” because this could trigger rage from Ryan, even if I thought my face was neutral. I have thought about this since I originally posted the blog, and wanted to add the clarification, because this one behavior modification on my part is a crucial part of describing my experience to others. Thank you all for the support.

 

Howdy

In my last post, I mentioned I’d had an idea to make a narrative film and had begun shooting some scenes. In the weeks since, I’ve filmed more, mostly finished the script, and began putting feelers out for additional casting. It’s become a wildly gratifying project. I hang out with a bunch of photographers, and everyone nearly always has a camera hanging somewhere from their body. It’s typical to document the time we spend together and each other, and over the last year, I’ve gravitated more and more towards capturing that time on video rather than the still photography most of us generally shoot. I’ve gotten more comfortable with my camcorder and am starting to figure out cooler camera angles, but making a movie (however small) has been an awakening. I write, and I take photos, and sometimes I make paper collage and books and drawings and things. I’ve been doing those things for nearly my entire life, which creeps closer to half a century, and even though I am always learning more in those pursuits, the pursuits themselves are no longer new. I am comfortable in those spaces. But video is new to me as a whole, and I have never made a movie before. I can actually feel little cells activating in my body, tiny parts of me that have never been used before waking up to have their moment.

I wasn’t sure if I’d write an actual script for this film, or wing it as I go, but Sunday I googled what screenplays look like and wrote one (I employed format standards at my own discretion, but it mostly looks like it’s supposed to). I created two additional characters to the one I play, one of whom I’ve already cast (the easier of the two to fill) and for the other I am getting closer. Much of the film takes place in my own apartment, with the main character (moi) alone, so I’ve managed to get much of those scenes filmed. The rest of the story is told in flashbacks, and shooting will begin once the rest of the cast and crew is set. It’s a very small production—three total actors including myself, one additional cameraperson for a scene or two, a couple friends to contribute music. I plan to have filming wrapped by March for weather purposes (the story takes place during winter), and fully completed shortly after. I might write a little bit on what the film is about in later blog posts, but will leave it for now.

In other writing news, I’m currently working on editing some chapters of my novel. I went on a Hinge date with a guy last summer who was not a love connection, but did leave me with a great bit of writing advice. He was a writer also, and working on a fantasy novel of some sort. I have a habit of heavily editing as I write. Getting the words right bolsters me, I think, reminds me that I’m a good writer and that it’s worth it to keep slogging away at this massive project. So I spend a lot of time rereading what I’ve written and perfecting it. It takes a long time to churn out a page. The Hinge date wrote a whole book without stopping to edit anything along the way. I could never do that, and wouldn’t want to—doing some edits as I go helps to keep things clean and reminds me which details I’ve used—but it did inspire me to edit less. I gave myself four-chapter writing blocks, meaning I have to complete four full chapters of new writing before I can go back and edit anything, and it’s helped move the story along. I completed the most recent four chapters a couple weeks ago, and am currently allowing myself some editing time before I move into the next four.

And in the world of still photography, I began shooting a double-exposure project that I might have the opportunity to show in a gallery space this spring. I don’t want to say much about the project yet, or where I might show it, but I’m sure I’ll have much more to add in the coming months. I started experimenting with double exposures last year and think I may have gotten a strong enough handle on what I’m doing to get the results I want in this new project. I’ll stop there, and leave you with a collection of rodeo photos shot last summer in Doswell, Virginia.

All photos in this post were taken on 35mm, 3200 ISO film; I forget which stock, Kodak or Ilford. Thanks for reading, you’re beautiful.

100 Years is Not Enough

Since launching this blog, I’ve tended to mostly create posts surrounding a particular collection of photos, almost like an expanded Instagram post. In recent months, I’ve thought a lot about how I want to use this space. I’ve bounced around a bunch of different ideas, and one thought I keep coming back to is wanting to blog more often and more regularly. I am always making something—the last year or so has been one of the most prolific periods of my creative life—so I have plenty of work to share, but I also want to use this space in a more personal sense than I have been, updating those who are interested on what I’m up to.

I’m up to a lot. It is seventeen days into the new year, and already I have made two short films (you can check them out here), plus a new installment of My Friend the Artist, an interview video series I began last year, featuring my friend Dylan McMahon.

I also made a new zine with a mini-memoir format, a first for me. The zine contains the true story of an entanglement I had with a boy in my twenties, and is mostly text with a few pages of actual photos from that time. I also wrote the first draft of a new story, also about a man from my past, that I plan to make into another issue. I’ve written about myself in lots of different formats over the years, and made autobiographical photography, but I’ve never told such detailed, personal stories and then made them available to the public like this before. It’s a new endeavor for me, but one that feels right, and maybe like the place these stories are meant to live. When I used to do a lot of spoken word and slam poetry, I would write scores of poems about all the heavy baggage of my life: traumas and abuse and bad relationships and mental illness and dysfunction. Then I would get on a stage and stand in front of a microphone and read these poems to a room full of friends and strangers. We had a saying in those rooms, “Leave it onstage.” The stage was a place I could set down all these heavy things I carried around with me, and leave them there. Maybe these zines can be like that for the stories within them, a receptacle to keep them so I don’t have to.

Issues of Fires are $10 each and can be bought by emailing me or using the contact form on my About page (or text or DM or whatever).

I’ve also photographed a couple new Barbie shoots (film hasn’t been developed yet) and made ten or so Valentine’s Day collages out of old Playboys and sixties housewife magazines and biker magazines. I’ll share those on Instagram in the next couple days and make them available for sale. I started planning a new double exposure concept, and will probably begin shooting in the next few weeks. And maybe the most exciting of all, I began my first attempt at making a narrative film (fictional film, non-documentary).

Since my uncle gave me my Sony HandyCam camcorder last Christmas, I’ve mostly filmed my friends and documented the things I’m doing. Over the summer, I began experimenting with filming more random scenes—the way the sun hits a brick wall, bees buzzing around flowerheads, leaves against a blue sky—with the idea I would patch together some sort of conceptual film, my first idea outside of documentation. And then recently, it occurred to me I could make a fictional movie, with a story and characters and some sort of script, and almost immediately got to work.

Right now, the film is more about a feeling than a thing that happens, but the action is coming together. I’ve shot a handful of introductory scenes, starring myself, mostly in my apartment, but I think there will be one other character. That’s maybe the most intimidating part—that I’ll have to explain the project to someone else and help them understand the role I want them to play. I’ll have to figure out who will play this additional character, a delicate decision because they will be playing my love interest, and like so much of my work, this project is based on a true story. The feeling the film is about is one that I have felt.

I’ve done all of this in the last two weeks. When this creative uptick began roughly a year ago, I was grateful for the motivation and endeavored to ride it while it lasted. It feels it’s only grown. Sometimes I feel unable to stop; there are so many ideas inside me and I feel so driven and energized to realize them. Today I had the thought that if I lived for 100 years, it would not be enough. At 42, I feel like I am only beginning.

Here are some self-portraits I shot on a digital camera the other day. The final shot, a closeup of my mouth, is what inspired the double-exposure project I mentioned above. More to come on that. Thanks for reading, you’re beautiful.